Tony Rice, an influential acoustic guitarist and 2013 inductee into the International Bluegrass Music Hall of Fame, died on Christmas Day, Dec. 25, 2020 at his home in Reidsville, North Carolina. He was 69.
“Sometime during Christmas morning while making his coffee, our dear friend and guitar hero Tony Rice passed from this life and made his swift journey to his heavenly home,” wrote Ricky Skaggs in a message he shared on behalf of Rice’s family. Skaggs, an acclaimed mandolinist who performed and recorded with Rice in the group The New South in the 1970s and in 1980 recorded a classic duets album (Skaggs and Rice) with him, called his friend and musical collaborator “the single most influential acoustic guitar player in the last 50 years.” He noted that “Many, if not all, of the bluegrass guitar players of today would say that they cut their teeth on Tony Rice’s music. He loved hearing the next generation players play his licks. I think that’s where he got most of his joy as a player.”Chris Thile, one of the younger artists whom Rice influenced, expressed his thoughts on social media: “I’m beyond heartbroken to hear about the passing of Tony Rice. No one has had a more profound impact on my musical world. His playing, singing, writing, and arranging broke the bluegrass mold and will eternally attest to the fact that music can take you anywhere, from anywhere.”
Born in Danville, Virginia on June 8, 1951, Rice moved with his family to Los Angeles, California as a very young child. It was there that he first became acquainted with the bluegrass music scene – along with his brothers Larry, Wyatt and Ronnie, with whom he also performed during his career. Initially a mandolin player, Rice turned to the guitar and developed his own flatpicking style that melded elements of acoustic jazz, traditional country and folk with bluegrass.
In addition to playing with J.D. Crowe & The New South in the 1970s, Rice performed with the David Grisman Quintet, the Bluegrass Album Band, Tony Rice Unit (whose 1979 release, Manzanita, is widely considered to be his seminal recorded work), and Rice, Hillman & Pedersen (with brother Larry Rice, ex-Byrd Chris Hillman and Herb Pedersen). Besides Skaggs, Rice also collaborated with such artists as Norman Blake, Bela Fleck, Jerry Garcia, and Peter Rowan over the years. A Grammy Award-winner for Best Country Instrumental Performance for The New South’s “Fireball” in 1983, Rice was also the recipient of a bevy of awards from the International Bluegrass Music Association (IBMA), including its highest honor – induction into the Bluegrass Music Hall of Fame in 2013.
It was during the IBMA’s 2013 awards show in Raleigh, North Carolina that Rice last publicly performed on guitar. Arthritis and lateral epiconylitis (tennis elbow) had made playing his Martin D-28 both difficult and painful. Some 20 years earlier, a diagnosis of muscle-tension dysphonia, a vocal chord condition, prompted him to give up singing.
In addition to performing and recording music, Rice made instructional audiotapes beginning in the late 1970s. Happy Traum, who produced and recorded those tapes for his company, Homespun Tapes, hailed Rice as “indisputably, the most gifted and influential acoustic guitarist of our time.” In a post on his Facebook page, Traum, himself a noted guitarist and folksinger, wrote that Rice “was a genius of the flat-pick style, with an unmistakable touch, impeccable taste and incredible tone. In addition, Tony was a fine singer. He was able to bridge the gap between traditional country, bluegrass, folk and acoustic jazz styles with alacrity.”
Tony Rice will surely be missed, but his musical influence will be felt for years to come.
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